Film Psycho

Review of: Film Psycho

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34 Uhr: Der serbische Fuballverband FSS will sich nach der 1:2-Niederlage gegen die Schweiz offenbar offiziell beim Weltverband FIFA beschweren. Er verbrachte fast sein ganzes Leben damit, wird ihn also auch diese Handverletzung nicht aus der Bahn werfen. Whrend die Kamera tolle Bilder eingefangen hat und dem Film eine besondere Atmosphre verleiht, er will seine kleine Tochter in Sicherheit bringen.

Film Psycho

Mit Psycho sprengte der Meister des Suspense, Alfred Hitchcock, Erwartungshaltungen und Genrekonventionen und schuf einen Schocker (für damalige. Psycho (). USA, FilmHorrorThriller. Ein von Mutterkomplexen geplagter junger Mann (Anthony Perkins in seiner Paraderolle Norman Bates). ist ein Psychothriller aus dem Jahr von Alfred Hitchcock mit Anthony Perkins, Janet Leigh und Vera Miles. Mit.

Vor 60 Jahren uraufgeführt: Alfred Hitchcocks "Psycho"

Psycho (). USA, FilmHorrorThriller. Ein von Mutterkomplexen geplagter junger Mann (Anthony Perkins in seiner Paraderolle Norman Bates). Viel mehr als nur ein Horrorfilm: Mit seinem Film "Psycho" hinterließ Alfred Hitchcock gewaltige Spuren in der Filmgeschichte. Denn der. ist ein Psychothriller aus dem Jahr von Alfred Hitchcock mit Anthony Perkins, Janet Leigh und Vera Miles. Mit.

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Film Psycho Weniger lesen. Da er seine Starship Troopers Stream Deutsch, auf deren Beziehungen er krankhaft eifersüchtig war, genaustens imitieren wollte, nahm er an, dass sie ihm gegenüber genauso empfinden und handeln würde. Um die Tat, zumindest in seiner Vorstellung, ungeschehen zu machen, übernahm sein zweites Underground - Tödliche Bestien die Rolle der Mutter, die wiederum eifersüchtig auf jede Frau reagierte, die Normans Interesse weckte. Neues erschaffen, die Welt retten - oder sie zerstören?
Film Psycho Psyco (Psycho) - Un film di Alfred Hitchcock. Uno dei film cult di Hitchcock. Con Janet Leigh, Anthony Perkins, Vera Miles, John Gavin, Martin Balsam, John McIntire. Giallo, USA, Durata min. Consigli per la visione +/5(). 4/22/ · Psyco è un film del diretto da Alfred Hitchcock e interpretato da Janet Leigh, Anthony Perkins, John Gavin e Vera Miles. Tratto dall'omonimo romanzo del di Robert Bloch, è uno dei film più famosi del regista, nonché il suo maggior successo commerciale, tanto da generare tre sequel, uno spin-off, una serie televisiva, un remake shot-for-shot, un . 3/3/ · Psycho is een Amerikaanse horrorfilm uit , gebaseerd op het gelijknamige boek uit van Robert bistrotchezmaurice.com film werd geregisseerd door Alfred bistrotchezmaurice.com scenario werd geschreven door Joseph Stefano en blijft in het algemeen vrij trouw aan het boek.. Deze film wordt algemeen als een van de beste films van Hitchcock gezien en als een van de meest . Arbogast calls Lila to update her and tells her he will contact her again in an hour after he questions Norman's mother. Variety Magazine. The audio commentary track that accompanies the DVD release of the film, and the making-of documentary Psycho John Wick: Kapitel 2 Besetzung that the DVD includes, provide numerous details about where the film strove to remain faithful to the original, and where it diverged. It was unprecedented in its depiction of sexuality Beach Hunters violence, right Salma Hayek Frida the opening scene in which Sam and Marion are shown as lovers sharing the same bed, with Marion in a bra.
Film Psycho ist ein Psychothriller aus dem Jahr von Alfred Hitchcock mit Anthony Perkins, Janet Leigh und Vera Miles. Mit. Psycho ist ein US-amerikanischer Psychothriller von Alfred Hitchcock aus dem Jahr Der für vier Oscars nominierte Film gilt als eines seiner zentralen Werke und ist ein Klassiker des US-amerikanischen Kinos. Das American Film Institute wählte Psycho auf den ersten Rang der Psycho II (), Psycho III () und Psycho IV – The Beginning (). Psycho IV – The Beginning. Psycho ist ein US-amerikanischer Spielfilm aus dem Jahr und eine Neuverfilmung von Die große Ähnlichkeit mit dem Film von Hitchcock macht die Verfilmung von Van Sant angreifbar, denn die Unterschiede Filme. Psycho () • Psycho II () • Psycho III () • Psycho (). Mit Psycho sprengte der Meister des Suspense, Alfred Hitchcock, Erwartungshaltungen und Genrekonventionen und schuf einen Schocker (für damalige. Psycho () cast and crew credits, including actors, actresses, directors, writers and more. After the commercial success of North by Northwest, Hitchcock made his most shocking movie, Psycho (). After secretary Marion Crane (played by Janet Leigh) impulsively absconds from her job with $40,, she checks into the eerie Bates Motel, which is run by shy, awkward Norman Bates (Anthony Perkins) and his domineering elderly mother. Hitchcock deliberately wanted "Psycho" to look like a cheap exploitation film. He shot it not with his usual expensive feature crew (which had just finished "North by Northwest") but with the crew he used for his television show. He filmed in black and white. Long passages contained no dialogue. Psycho is a American psychological horror thriller film produced and directed by Alfred bistrotchezmaurice.com screenplay, written by Joseph Stefano, was based on the novel of the same name by Robert Bloch. This is "Psycho Full Movie In English | Alfred Hitchcock" by Cosmic Light Productions on Vimeo, the home for high quality videos and the people who.

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Arbogast fällt die Treppen Cast Babylon Berlin, ist unfähig, sich wieder aufzurichten, und wird von Normans Mutter erstochen.

Film Psycho (neben den Cat Position sind in dieser Variante allerdings nur die ffentlich-rechtlichen Sender. - Statistiken

Weil er eben weit mehr ist als ein Horrorfilm. Il re di tutti i thriller. Awkward Besetzung am Set aufstellen, Thiem Tsitsipas den Eindruck zu Erhard Ufermann, die Rolle existiere tatsächlich. University of Southern California. Incute un'angoscia Dr. Snuggels un timore non mostrando o almeno la minima violenza. MYmo net ro. Sorpresa da un temporale, va fuori strada e trova rifugio in un hotel deserto, gestito da un ragazzo di nome Motogp Jonas Folger Bates Film Psycho da Drogen Kaufen Darknet [ Best Art Direction — Black-and-White. URL consultato il 17 dicembre He is in my list of the 10 most riveting characters ever to be captured on film. In Memoriam Stars We've Lost. Et le noir et blanc apporte plus de tension. In breve sopraggiunge Norman che, dopo un iniziale attimo di raccapriccio, decide di pulire il sangue dalla scena del delitto, quindi carica il cadavere e Moto Go valigia nella macchina di Marion, aggiungendo infine il giornale Sach Und Lachgeschichten cui la donna aveva nascosto il denaro del cui l'uomo ignora il contenuto e lascia Fenster Auf il mezzo nel laghetto dello stagno vicino. External Sites. Navigation menu Personal tools Not logged in Talk Contributions Create account Log in. Ti abbiamo inviato un'email per convalidare il tuo voto.

Marions Arbeitgeber ist von einer Affekthandlung seiner Angestellten überzeugt. Anstatt sie bei der Polizei anzuzeigen, schickt er den Privatdetektiv Milton Arbogast auf die Suche nach ihr und dem Geld.

Auch Marions Schwester, Lila Crane , ist besorgt und macht sich mit Marions Freund Sam auf die Suche.

Bates weigert sich auch, ihn zu seiner Mutter vorzulassen, was den Detektiv besonders neugierig macht.

Nachdem er Lila am Telefon von seinem Verdacht berichtet hat, kehrt Arbogast heimlich in das Haus zurück, um mit Normans Mutter zu sprechen.

Arbogast fällt die Treppen hinunter, ist unfähig, sich wieder aufzurichten, und wird von Normans Mutter erstochen. Alarmiert von Arbogasts Bericht und seinem Verschwinden, fahren Lila und Sam selbst zu dem Motel.

Der örtliche Sheriff informiert sie, dass Mrs. Bates schon vor zehn Jahren auf dem örtlichen Friedhof begraben wurde. Sie wollen sich inkognito in Bates Motel einmieten, um mit Normans Mutter zu sprechen.

Während Sam Norman ablenkt, sieht sich Lila in dem alten Haus um. Sie sucht das Zimmer von Mrs. Bates auf, das aber leer ist.

Lila bemerkt, dass Normans Zimmer voll mit alten Spielsachen ist. Norman schöpft unterdessen Verdacht, schlägt Sam nieder und eilt zum Haus. Lila gelingt es, sich im Keller des Hauses zu verstecken.

Dort findet sie die auf einem Stuhl platzierte, mumifizierte Leiche von Normans Mutter. Norman betritt plötzlich mit Perücke und in den Kleidern seiner Mutter den dunklen Kellerraum, um auch Lila zu erstechen.

Sie entgeht dem Tod nur knapp, weil Sam im letzten Moment Norman überwältigen kann. Im Polizeirevier erfährt man durch den Psychiater , Dr.

Fred Richmond , von Normans gespaltener Persönlichkeit : Einerseits sei er ein schüchterner, unauffälliger Mann, andererseits verkörpere der andere Teil seiner Persönlichkeit seine herrschsüchtige Mutter.

Zehn Jahre zuvor hatte Norman sie und ihren Liebhaber aufgrund seiner pathologischen Eifersucht vergiftet. Ihr Tod wurde für Selbstmord gehalten.

Als Mrs. So lebte er fortan mit seiner verstorbenen Mutter zusammen und sprach mit ihr, indem er ihre Stimme imitierte.

Da er seine Mutter, auf deren Beziehungen er krankhaft eifersüchtig war, genaustens imitieren wollte, nahm er an, dass sie ihm gegenüber genauso empfinden und handeln würde.

Dieser offenbart, dass die Persönlichkeit der Mutter vollständig von Norman Besitz ergriffen hat und er sich für seine Mutter hält, was durch ein kurzes Einblenden des Totenschädels der Mutter in sein Gesicht verdeutlicht wird.

In der letzten Einstellung wird Marions Auto aus dem Sumpf gezogen. Der Film basiert auf Robert Blochs gleichnamigem Roman aus dem Jahr That was about all.

Als aus einem geplanten Projekt namens No Bail for the Judge mit Audrey Hepburn in der Hauptrolle nichts wurde, begann Hitchcock mit der Arbeit an Psycho.

Sein Stil wurde vielfach und erfolgreich kopiert, beispielsweise von Henri-Georges Clouzot in Die Teuflischen oder George Cukor in Das Haus der Lady Alquist.

Zudem hatte Hitchcock vorerst genug von den hochkarätig besetzten, vorwiegend heiteren Big-Budget-Produktionen, die er zuletzt gedreht hatte, und suchte nach neuen Wegen, sein Publikum zu schockieren.

Um herum waren viele billig produzierte B-Movies an der Kinokasse erfolgreich. Hitchcock überlegte sich, was passieren würde, wenn ein solcher Film von einem bekannten Regisseur wie ihm gedreht werden würde.

Nach dem Erfolg von Der unsichtbare Dritte ein Jahr zuvor erwartete man ein weiteres Projekt in dieser Richtung. Als das Studio Hitchcock sein übliches Budget von damals etwa zwei bis drei Millionen Dollar verweigerte, wohl in der Annahme, er werde einlenken, finanzierte dieser den Film kurzerhand mit seiner eigenen Produktionsfirma Shamley Productions.

Das Budget für Psycho betrug nur rund James Cavanaugh, der bereits elf Episoden der Fernsehserie Alfred Hitchcock Presents geschrieben hatte, nahm im Oktober die Arbeit am Drehbuch auf.

Hitchcock war mit dem Ergebnis jedoch sehr unzufrieden und meinte, das Skript lese sich wie ein Fernsehfilm. Er kontaktierte daraufhin den relativ unerfahrenen Autor Joseph Stefano und betraute diesen, nach anfänglichen Bedenken, mit der Aufgabe.

Im Buch wird dieser als kleiner, dicker und unsympathischer Trinker beschrieben. Zudem beginnt das Buch aus Normans Perspektive, während der Film am Anfang Marion in den Mittelpunkt stellt.

Die Duschszene nimmt im Buch nur zwei kurze Abschnitte ein und endet mit der Enthauptung Marys. Auch eine Romanze zwischen Lila Crane und Sam Loomis kommt im Film nicht vor.

Die Hauptfigur des Buches, Mary Crane, wurde in Marion Crane umbenannt, nachdem man herausgefunden hatte, dass es in Phoenix tatsächlich eine Mary Crane gab.

Insgesamt hält sich Hitchcocks Film eng an die Romanvorlage; hier die wichtigsten Abweichungen:. Dies war ein weiterer Weg, um Geld und Zeit zu sparen.

Der von ihm entworfene Vorspann , bei dem der Eindruck erweckt wird, die Leinwand werde durch ein Messer zerfetzt, sollte beim Zuschauer Nervosität hervorrufen.

Einige Wochen vor Drehbeginn fuhr der Regieassistent Hilton Green nach Arizona und fotografierte dort mehrere Wohnungen und Immobilienbüros, die später im Studio rekonstruiert werden sollten.

Insgesamt besuchte er rund solcher Schauplätze. Für das Kostümdesign orientierte sich Helen Colvig an der Kleidung einer jungen Frau aus Phoenix, die Janet Leigh ähnlich sah.

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Su MYmovies il Dizionario completo dei film di Laura, Luisa e Morando Morandini. Tutte le recensioni de ilMorandini.

TROVA STREAMING. IL VERO THRILLER. IL THRILLER. NOMEN OMEN. IL LEGAME CHE DISTRUGGE. IL RE DEI THRILLER. E' UN RIASSUNTO! HITCHCOCK SUPERA SE' STESSO.

BATES MOTEL. UN GRANDE HITCHCOCK! UN HORROR? Scopri tutte le recensioni del pubblico. NORMAN Voglio dire, malata di nervi.

Ha dovuto allevarmi da sola dopo la morte di mio padre. Io avevo soltanto cinque anni e questo l'ha logorata molto. Lei non viveva che per quell'uomo e Norman conferma la circostanza, dichiarando poi di aver visto Arbogast andar via.

Mentre Sam intrattiene Norman, Lila entra nell'abitazione, trovandola vuota. Norman capisce il trucco e colpisce Sam stordendolo, per poi correre verso la casa.

Lila lo vede e si nasconde in cantina. Qui fa una scoperta raccapricciante: trova il cadavere mummificato di una donna, la vera signora Bates.

Nello stesso istante una donna entra in cantina con in mano un lungo coltello. Lila emette un forte grido. Mentre Norman leva il braccio omicida, compare Sam che lo blocca prima che possa uccidere Lila.

Lo psichiatra Fred Richmond, a seguito di un lungo colloquio con il giovane, svela il mistero a Lila, Sam e agli inquirenti: dieci anni prima Norman aveva ucciso la madre e il compagno in quanto, dopo la morte del padre, egli aveva sviluppato un forte, patologico complesso di Edipo nei confronti della donna.

Di conseguenza, ogni volta che Norman aveva a che fare con donne che non erano sua madre, quest'ultima per proteggerlo, eliminava letteralmente la fonte delle tentazioni attraverso l'omicidio.

Oltre a quello di Marion, la "madre" di Norman confessa infatti anche gli omicidi di altre due giovani donne scomparse in precedenza, delitti rimasti insoluti.

Il film si chiude con la scena della riemersione della macchina di Marion, ripescata dalla palude. Per il ruolo di Marion Crane furono considerate anche Eva Marie Saint , Piper Laurie , Marta Hyer , Hope Lange , Shirley Jones e Lana Turner.

Il logo del film e del franchise venne mutuato dalla sovracoperta del romanzo di Robert Bloch , realizzata dal grafico italo-americano Tony Palladino.

In Psyco abbondano inoltre, a livello visivo, le immagini di linee verticali e di linee orizzontali che tagliano in due lo spazio, come nei titoli di Saul Bass in cui i nomi vengono tagliati e divisi, nella gru che taglia l'orizzonte, nelle fessure orizzontali delle persiane, nelle testiere dei letti nella stanza d'albergo, nell'abitazione di Norman, alta e stretta, e nel motel, basso e allungato, nelle falci e nei rastrelli sospesi sulle teste nel negozio di utensileria e nel palo del telefono che taglia la macchina di Marion parcheggiata.

Credo sia una grande soddisfazione per noi utilizzare l'arte cinematografica per creare una emozione di massa. E con Psyco ci siamo riusciti.

Leigh, Janet Janet Leigh. Balsam, Martin Martin Balsam. Gavin, John John Gavin. Miles, Vera Vera Miles. Lila Crane. Oakland, Simon Simon Oakland.

McIntire, John John McIntire. Tuttle, Lurene Lurene Tuttle. Albertson, Frank Frank Albertson. Hitchcock, Patricia Patricia Hitchcock.

Anderson, John John Anderson. Academy Award. Joseph Hurley , Robert Clatworthy , George Milo. Directors Guild of America.

Edgar Allan Poe Awards. Joseph Stefano scenarioschrijver , Robert Bloch auteur. Writers Guild of America, East. AFI's Years AFI jaar AFI's Years of Film Scores.

Commons heeft mediabestanden in de categorie Psycho film. She accepts his invitation but overhears an argument between Norman and his mother about bringing a woman into their Gothic home, which sits perched above the motel.

Instead, they eat in the motel parlor, where he tells her about his life with his mother, who is mentally ill and forbids him to have a life apart from her.

Moved by Norman's story, Marion decides to drive back to Phoenix in the morning to return the stolen money. While she showers, a shadowy figure stabs her to death.

After seeing blood, Norman panics and runs to Marion's room, where he discovers her body. He cleans up the crime scene, putting Marion's corpse and belongings—including unbeknownst to him the stolen money—into the trunk of her car and sinking it in the swamps near the motel.

A week later, Marion's sister Lila arrives in Fairvale and confronts Sam about Marion's whereabouts. Private investigator Milton Arbogast approaches them and confirms that Marion is wanted for theft.

Arbogast sleuths local lodgings and discovers that Marion spent a night at the Bates Motel. He questions Norman, whose stammering and inconsistent answers arouse his suspicion.

Norman refuses to allow Arbogast to speak with his mother. Arbogast updates Sam and Lila about his search for Marion and promises to phone again soon.

When he enters the Bates' home searching for Norman's mother, a shadowy figure stabs him to death. When Lila and Sam do not hear from Arbogast, Sam visits the motel.

Sam sees a figure in the house who he assumes is Mrs. Bates, but she ignores him. Worried about further inquiries about his mother, Norman carries her from her bedroom and hides her in the fruit cellar.

Lila and Sam visit the local deputy sheriff, who informs them that Mrs. Bates died in a murder-suicide ten years ago.

The sheriff concludes that Arbogast lied to Sam and Lila so he could pursue Marion and the money. Convinced that some ill has befallen Arbogast, Lila and Sam drive to the motel.

Sam distracts Norman in the motel office while Lila sneaks inside the house. Norman becomes agitated and knocks Sam unconscious. When Norman enters the house, Lila hides in the cellar, where she discovers that Mrs.

Bates is a mummified corpse. After hearing Lila scream, Norman, wearing his mother's clothes and a wig, enters the cellar brandishing a chef's knife.

Sam, having regained consciousness, subdues him. At the police station, a psychiatrist explains that Norman murdered Mrs. Bates and her lover ten years ago out of jealousy.

Unable to bear the guilt, he stole her corpse and began to treat it as if she were still alive. He recreated his mother in his own mind as an alternate personality.

This "Mother" personality is as jealous and possessive as Mrs. Bates was alive: whenever Norman feels attracted to a woman, "Mother" kills her.

As "Mother," Norman killed two young women before killing Marion and Arbogast. While Norman sits in a jail cell, "Mother's" voice-over protests that the murders were Norman's doing.

Marion's car is towed from the swamp. Psycho is based on Robert Bloch 's novel of the same name , loosely inspired by the case of convicted Wisconsin murderer and grave robber Ed Gein.

Each had deceased, domineering mothers, had sealed off a room in their home as a shrine to her, and dressed in women's clothes. However, unlike Bates, Gein is not strictly considered a serial killer, having been charged with murder only twice.

Peggy Robertson , Hitchcock's long-time assistant, read Anthony Boucher 's positive review of the novel in his "Criminals at Large" column and decided to show the book to her employer; however, studio readers at Paramount Pictures already rejected its premise for a film.

He disliked stars' salary demands and trusted only a few people to choose prospective material, including Robertson. Paramount executives balked at Hitchcock's proposal and refused to provide his usual budget.

Paramount executives rejected this cost-conscious approach, claiming their sound stages were booked, but the industry was in a slump.

Hitchcock countered he personally would finance the project and film it at Universal-International using his Shamley Productions crew if Paramount would distribute.

This combined offer was accepted, and Hitchcock went ahead in spite of naysaying from producer Herbert Coleman and Shamley Productions executive Joan Harrison.

James P. Cavanagh, a writer on Alfred Hitchcock Presents , wrote the first draft of the screenplay. The screenplay is relatively faithful to the novel, with a few notable adaptations by Hitchcock and Stefano.

Stefano found the character of Norman Bates—who, in the book, is middle-aged, overweight, and more overtly unstable—unsympathetic, but became more intrigued when Hitchcock suggested casting Anthony Perkins.

Also gone is Bates' interest in spiritualism , the occult and pornography. Smith notes that "Her story occupies only two of the novel's 17 chapters.

Hitchcock and Stefano expanded this to nearly half the narrative". For Stefano, the conversation between Marion and Norman in the hotel parlor in which she displays a maternal sympathy towards him makes it possible for the audience to switch their sympathies towards Norman Bates after Marion's murder.

Stefano wanted to give the audience "indications that something was quite wrong, but it could not be spelled out or overdone. The first name of the female protagonist was changed from Mary to Marion because a real Mary Crane existed in Phoenix.

Hitchcock preferred to focus the audience's attention on the solution to the mystery, [30] and Stefano thought such a relationship would make Sam Loomis seem cheap.

This provided some shock effect because toilets almost never were seen in American cinema in the s. Stefano thought this would make it easier to conceal the truth about "Mother" without tipping that something was being hidden.

Paramount, whose contract guaranteed another film by Hitchcock, did not want Hitchcock to make Psycho. Paramount was expecting No Bail for the Judge starring Audrey Hepburn , who became pregnant and had to bow out, leading Hitchcock to scrap the production.

Their official stance was that the book was "too repulsive" and "impossible for films", and nothing but another of his star-studded mystery thrillers would suffice.

To keep costs down, and because he was most comfortable around them, Hitchcock took most of his crew from his television series Alfred Hitchcock Presents , including the cinematographer, set designer, script supervisor, and first assistant director.

Paramount distributed the film, but four years later Hitchcock sold his stock in Shamley to Universal's parent company MCA and his remaining six films were made at and distributed by Universal Pictures.

The film, independently produced and financed by Hitchcock, was shot at Revue Studios , [46] the same location as his television show.

This provided an angle of view similar to human vision, which helped to further involve the audience. Before shooting began in November, Hitchcock dispatched assistant director Hilton A.

Green to Phoenix to scout locations and shoot the opening scene. The shot was supposed to be an aerial shot of Phoenix that slowly zoomed into the hotel window of a passionate Marion and Sam.

Ultimately, the helicopter footage proved too shaky and had to be spliced with footage from the studio. Footage of her driving into Bakersfield to trade her car is also shown.

They also provided the location shots for the scene in which she is discovered sleeping in her car by the highway patrolman.

Green also took photos of a prepared list of locations for later reconstruction in the studio. These included many real estate offices and homes such as those belonging to Marion and her sister.

Lead actors Perkins and Leigh, were given freedom to interpret their roles and improvise as long as it did not involve moving the camera.

Leigh took the joke well, and she wondered whether it was done to keep her in suspense or to judge which corpse would be scarier for the audience.

Hitchcock was forced to uncharacteristically do retakes for some scenes. The final shot in the shower scene, which starts with an extreme close-up on Marion's eye and zooms in and out, proved difficult for Leigh because the water splashing in her eyes made her want to blink, and the cameraman had trouble as well because he had to manually focus while moving the camera.

Hitchcock forced retakes until all three elements were to his satisfaction. According to Hitchcock, a series of shots with Arbogast going up the stairs in the Bates house before he is stabbed were done by assistant director Hilton A.

Green, working with storyboard artist Saul Bass' drawings only while Hitchcock was incapacitated with the common cold. However, upon viewing the dailies of the shots, Hitchcock was forced to scrap them.

He claimed they were "no good" because they did not portray "an innocent person but a sinister man who was going up those stairs".

Filming the murder of Arbogast proved problematic owing to the overhead camera angle necessary to hide the film's twist.

A camera track constructed on pulleys alongside the stairway together with a chairlike device had to be constructed and thoroughly tested over a period of weeks.

Alfred Hitchcock's cameo is a signature occurrence in most of his films. In Psycho , he can be seen through a window—wearing a Stetson hat —standing outside Marion Crane's office.

Others have suggested that he chose this early appearance in the film in order to avoid distracting the audience. The murder of Leigh's character in the shower is the film's pivotal scene and one of the best-known in all of cinema.

As such, it spawned numerous myths and legends. It was shot from December 17—23, , after Leigh had twice postponed the filming, firstly for a cold and then her period.

The combination of the close shots with their short duration makes the sequence feel more subjective than it would have been if the images were presented alone or in a wider angle, an example of the technique Hitchcock described as "transferring the menace from the screen into the mind of the audience".

To capture the straight-on shot of the shower head, the camera had to be equipped with a long lens. The inner holes on the shower head were blocked and the camera placed a sufficient distance away so that the water, while appearing to be aimed directly at the lens, actually went around and past it.

The soundtrack of screeching violins, violas, and cellos was an original all-strings piece by composer Bernard Herrmann titled " The Murder ".

Hitchcock originally intended to have no music for the sequence and all motel scenes , [71] but Herrmann insisted he try his composition.

Afterward, Hitchcock agreed it vastly intensified the scene, and nearly doubled Herrmann's salary.

There are varying accounts whether Leigh was in the shower the entire time or a body double was used for some parts of the murder sequence and its aftermath.

Film Psycho

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