Tesis. Faszination des Grauens ist ein Psychothriller aus dem Jahr von die sich mit Gewaltdarstellungen in Film- und TV-Produktionen auseinandersetzt,. Warum sind Gewalt und Tod im Film so faszinierend? Studentin Angela (Ana Torrent) will die Frage in ihrer Diplomarbeit beantworten. Sie sichtet Horrorfilme. Tesis - Der Snuff Film. Psychothriller | Spanien | Minuten. Regie: Alejandro Amenábar.
Tesis – Der Snuff FilmTesis: Horrorfilm von Emiliano Otegui Piedra mit Ana Torrent/Fele Das Thema der sagenumwobenen „Snuff Movies“ (Filme, für die Menschen ermordet. Tesis - Der Snuff Film. Psychothriller | Spanien | Minuten. Regie: Alejandro Amenábar. Angela ist Filmstudentin an einer Madrider Universität und schreibt ihre Diplomarbeit über das Thema "Gewalt in den audiovisuellen Medien". Sie bittet ihren.
Tesis Film Movies / TV VideoSCATTERSHOT (A Thesis Film)
Tesis Film Tesis Film. - Tesis - Der Snuff FilmXavier Elorriaga.
American Dad Serienstream Deutsch, die sie erlitten American Dad Serienstream Deutsch. - InhaltsverzeichnisSchaue jetzt Faszination des Grauens. Encargado tren Davis Cup Live Ortega External Sites. At the interview, he insists that Vanessa must have run away with a boyfriend because she sent a Zeckenmaus to her family saying that she was in love. Retrieved View All.
In this case -- the deaths are designed to be one step removed from reality, recorded on videotapes and shown as "snuff" films. Everybody seems to runne even faster to somebody else's death, or so the movie keeps telling us.
We gawk at automobile wrecks along the road, hoping for a glimpse of a mangled body or two. On television news programs, "if it bleeds, it leads.
But, actually, that's not the subject of this film anyway. Ana Torrent is the student-in-jeopardy.
When she's investigating a kind of dungeon with a young man she believes is a friend, the door slams shut, locked, behind them and, pop, the lights go out and they only have half a box of matches to find their way through the cobwebs.
If that's not enough, at the climax she's in a deserted house with a sadistic murderer and, pow, a fuse blows and the lights go out yet again.
As a sinister professor of cinema argues, the American film industry is flooding the market with junk. In defense of our national pride we should give the public exactly what they want right here in Spain -- more junk, better junk, bigger junk.
I think the director of this film really believes it because he's done a superlative job of following the formula. For instance, in a DePalma film, there may be a guy that the woman-in-jeopardy might think of as a friend, perhaps a non-conditional love psychiatrist, but she may find some bit of evidence, some small thing, that throws suspicion upon him.
I can't count the number of times some artifact or some factoid throws Ana's suspicions on a friend here. I mean it. I really couldn't count them. The switcheroos come so thick and fast they become glutinous and indistinguishable from one another.
One's flicker fusion threshold is exceeded. Is Ana Torrent really the little dark-haired girl who whispered her way through "The Spirit of the Beehive"?
Well, as Marlon Brando tells Eva Marie Saint in "On The Waterfront," "You grew up nice. Chema, who may or may not be her weird friend, looks like Johnny Depp with stringy hair and a beard.
The murderer looks like some heart throb exhumed from a movie of the s, maybe Frankie Avalon or Fabian. The professor, although a pervert and a murderer, looks handsome and distinguished.
All professors look that way. I looked that way when I was a professor. I still look that way, despite what you may have heard from my psychotherapist or my so-called friends.
The director might think he's preaching to us about our taste for violent imagery. If he's saying that we have one, he's certainly right about that.
But he's pandering too. He's showing us the very thing he's condemning us for wanting to see, and he's guiltless but hardly guileless.
It doesn't help to know that we're watching fake sadism exercised by actors in a fictional movie, that it's like watching Daffy Duck looking at himself in a mirror, with neither image real.
That's a joke between the cartoon and the audience. Here, the joke is entirely on the audience. The more apt comparison is to one of those war movies in which we witness suffering and see blood all over and the movie is called an "anti-war movie", but our side always seems to win.
I thought "Thesis" was captivating because it was so well executed, but considered it insulting as well.
Saw it at the London Film Festival. Decent film, reasonably put together for a first time out. However, the unquestioning position of the director regarding snuff movies pretty much of the "of course they exist, they've been in the papers" opinion spoilt the entire experience for me.
He seemed to think it was a serious comment on the "serious" snuff movie problem rather than a stylish horror movie mainly aimed at a knowing audience.
Maybe his films have now improve, but he definitely needed to grow as a film maker when he produced this CineCritic 7 June While investigating violence for her thesis, a young female student learns of a snuff movie making ring and, I guess, tries to expose it.
This is one of those movies that is completely scenario driven. Alas, the scenario makes no sense and feels like it was written by a way too ambitious but ultimately talentless writer.
Super far fetched contrivances just go on and on for hours, losing the viewer as a result. This is a typical B-movie that stands out only in the filming department apparently confusing a few people into thinking this was a work of art.
It shouldn't take more than half a brain to figure out why this is obviously not the case. FeverDog 11 July I was expecting good things from THESIS, but, long story short, if a movie's gonna keep jerking me around, it should do it quickly.
The movie starts out well. But from the beginning credibility leaks out of the production, which always tests my patience. First of all, the heroine is, for a college student, pretty stupid, choosing to hide in isolated corridors when being chased rather than remain in the safety of a public place.
And she's turned on by her suspect? The possibility of him being a sadistic killer gives her erotic nightmares? That I can believe, I guess; I should give the movie the benefit of the doubt, ignoring the fact that she had no meaningful talk with him, knows nothing about him, and, if she were half as intelligent as her professor claims she is, would wake up and realize her predicament is reminiscent of the plot of BASIC INSTINCT.
Wouldn't she have seen this movie? She's a film student writing her thesis on "audiovisual violence" in the media.
Surely she'd be familiar with the work of Paul Verhoeven, since this movie obviously takes place in the real world, as evidenced by the real movie posters seen scattered throughout.
Movies like this make the pop-culture savvy SCREAM troupe a blessing to us who grow tired of trying to relate to characters who exist in a closed-off world, where nothing exists outside the plot.
Are my points up to now ridiculous? I should focus on the plot instead of the milieu. But the plot, as I've said, is as close to BASIC INSTINCT's as can be without actually lifting dialogue verbatim from it.
First she thinks her suspect is the killer. Then she thinks her partner is involved. Then her suspect again.
Then her partner, and back and forth until they're both in the same room and she doesn't know which one to trust. It's Sharon Stone and Jeanne Tripplehorn with a sex change and a different passport.
What I also can't believe is that it takes her the whole movie to deduce what's been obvious to the viewer from the get-go.
We know what's up, and wait for the characters to catch up to us. How frustrating is that when there's nothing else to occupy our minds? THESIS is visually drab and uninterestingly acted, and no dialogue is worth repeating, much less remembering.
And the conventions of this genre are of course present and accounted for. The old newspaper clippings. The photograph linking the past of two opposed characters.
The hero bursting in not a moment too late. The climatic showdown. Oh, am I wondering just where the hero was before he made his entrance.
Off in the restroom? Waiting for his cue? I will give credit to THESIS for beating 8MM to the punch, so to speak. Snuff is a fascinating if depraved aspect of our imagination, and the movie does make some astute commentary on our culture's appetite for violence.
And the final scene, while blunt and obvious, wraps everything up satisfactorily. I"m making this sound like a terrible movie, but it's really not.
Tesis has generated much critical analysis due to its study of the fascination of violence. Film critic Leora Lev discusses Angela's ethical rejection and simultaneous attraction to violent images as this film's primary conversation.
Lev states that Angela's psychosexual conflict with both the snuff film and the murderer, Bosco, is emblematic of the culture that consumes violent films and reality television series.
From Wikipedia, the free encyclopedia. For other uses of "Thesis", see Thesis disambiguation. Release date. Running time. Retrieved Rotten Tomatoes.
Goya Award for Best Film. Thesis Open Your Eyes The Others The Sea Inside Agora Regression While at War Films by Mateo Gil. Nobody Knows Anybody Blackthorn Realive Tesis Abre los ojos The Sea Inside The Method Agora She's very terrible at writing a thesis which we hardly see her do.
For some reasons does not tell any of her family member not to let the good looking maniac into the house. The film tries to makes the viewer guess by having twists in the plot which are overdone.
It switches between who the actual killer could be one to many times. A guessing game is not bad in a thriller, but overdoing it looses the film focus on story it was telling.
The good aspect of the plot are the subject it brings up. One in particular is by using snuff films as an example for why the Spanish film industry is declining.
In the film context it works for it's a fictional work for art. A professor says Spain's film industry will not be a success until it gives the people what it wants - and that theory in it's purest form is snuff films.
Snuff films are very popular in the film timeline and go on to say only exist to give the audience what they want on an authentic level.
This is a thought provoking subject as violence is nothing unusual on film, but in real life events the film illustrates the average person has a curiosity for actual violence.
Weather it's a murder caught on tape, someone who got run over by a train, some kind of burned dead body, and so forth will attract a crowd.
The subjects here allows judgement on our self and just on the characters. If you could look past some questionable actions by the protagonists you'll have plenty to think about after it ends.
The saving grace comes from the excellent acting. Especially from Ana Torrent who makes a compelling lead. None of the two leads excel as much as Eduardo Noriega.
You will wonder if this guy is the killer or if we a misconception of his nature. Thesis saved by the acting and fined direction. The plot could aspire to something greater, but it held back by some questionable narrative choices.
As it stands though it's still a film worth checking out. Caesar M Super Reviewer. See all Audience reviews.
Angela: Me llamo Angela, me van a matar. Me van a matar. Angela: Me llamo Angela. View All Quotes. Best Horror Movies. Worst Superhero Movies.
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Encargado tren Pilar Ortega Encargada C. Ventas Olga Margallo Edit Storyline Why is death and violence so fascinating?
Me van a matar. They're going to kill me. Edit Did You Know? Trivia In Angela's room you can see a poster of the movie "My Own Private Idaho".
Goofs At 54 min the door Chema is trying to break into has the handle on the left hand side. However, when he opens the door and we see him from the inside, the handle has switched to the opposite side.
Quotes Bosco : What color are my eyes? Was this review helpful to you? Yes No Report this. Frequently Asked Questions Q: What are the differences between the Korean DVD Version and the Original Version?
Edit Details Country: Spain. Language: Spanish. Filming Locations: Madrid, Spain. Budget: EUR, estimated.
Runtime: min min cut. Sound Mix: Stereo. Color: Color.Soon they discover that the girl was a former student at their school I should focus on the plot instead of the milieu. Presentadora T. See all Audience reviews. Awards FAQ User Ratings External Reviews Metacritic Reviews. However, the unquestioning position of the director regarding snuff movies pretty much of the "of course they Vermeer 2 Download Kostenlos, they've been in the papers" opinion spoilt the entire experience for me. News My Account SIGN UP LOG IN. This film is an efficient thriller from Spain. The film goes astray, for me, in suggesting Menden Kino heroine is close to being seduced at one point by the awful übung Gegen Doppelkinn of the violence she is investigating. Imran Khan. Sign In.